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Welcome to our Arts and Crafts style gallery. We offer unique, handmade Arts and Crafts style tile, Frames, art and gifts
handmade pottery, decorative ceramic tiles and Solid Oak Frames
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Frank Lloyd Wright Tile
March Ballons
Coonley Playhouse

Motawi Tile
Art Flower Collection
Landscape Collection
Riverscape Collection
Dard Hunter Collection
Yoshiko Yamamoto
Songbirds Collection
Swans & Lovebirds
Art Nouveau Flowers
Walter Crane Tiles
Glasgow Collection

PorteousTile
Nouveau Collection

Pewabic Pottery
Pewabic Collection

Solid Oak Frames:
Dard Hunter Frames
Order Frames

Craftsman Woodwork:
Schlabaugh Clocks

Arts & Crafts Gifts:
Dard Hunter China
House Numbers
Tea Lanterns
Housewares/ Pillows
Note Cards
Welcome Mats
Rose Stencils
Motawi/Hunter Clocks
Handmade paper


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Motawi Tileworks

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Art History:
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Art Nouveau
Arts & Crafts Style

Learn more about:
Frank Lloyd Wright
Charles Rennie Mackitosh
Dard Hunter I
Pewabic Pottery
Mary Chase Stratton
Mary Chase Stratton Nawal & Karim Motawi
Neville Porteous
Schlabaugh & Sons
Grueby Faience
Gustav Stickley
Talwin Morris
Ernest Batchelder
Rookwood pottery
Other Tile Makers

Learn more about:

Frank Lloyd Wright Tile
Motawi Handmade Tile
Porteous Art Tile
Dard Hunter Frames

Book Lists:
Art Tile

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Talwin Morris
Talwin Morris

Talwin Morris

Motawi Tileworks Talwin Songbirds
Motawi Tileworks
Talwin Songbirds

Talwin Morris was born in Winchester on the 14th of June 1865, his mother died in childbirth and he was subsequently raised by his family. From a young age he was encouraged to study theology. In 1882, he was employed in the architect’s office of Martin Brooks, where he became interested in architectural drawing and architecture.

In 1891, he developed his interest in the graphic arts when he was appointed the position of sub editor and designer in the Saturday weekly publication of Black and White, which was published by Cassell and Co. Here he was responsible for designing head pieces, initial letters and decorative panels for the publication.

In 1892 he married Alice marsh, and in 1893 they moved to Glasgow where he became resident at Dunglass castle. Here he applied for and was appointed as Arts director for the Glasgow based Blackie and Sons.

Here he established close connections with Charles Rennie Mackintosh, Margaret MacDonald Mackintosh, Herbert McNair and Frances MacDonald, and became aware of the trends in Glasgow Style design. At the same time as working for Blackie and Sons he also worked as a freelance designer for Cassell, Morrison Bros., Pearson, Heinemann, Cotta and Maudie Select Library.
As of 1898 onwards, he worked in collaboration with Gresham Publishing Co, and in 1899 Moved to a small house called ‘Torwood’ on the hills above Bowling and it was here that he died on March 29th 1911, aged 45.

Blackie & Sons

The company was founded in November 1809 by John Blackie, Archibald Fullarton and William Sommerville. At this time books were sold by subscription as there were few books shops. Books were bought by the upper and middle class unbound and they would have them hand bound themselves, so publishing houses were increasingly producing machine bound books for other areas of the market. Blackie and Sons first headquarters were situated at Black Boy Close off the Gallowgate in Glasgow, and in 1811 the company moved to the Saltmarket. John Blackie had deep religious convictions and believed that books were a source of enlightenment. 1831 there is dissolution of Blackie and Fullarton, and they become two separate companies.
blackie logo.jpg (11651 bytes) John Blackie Junior, born 1805, with his love of literature became involved with the company and renamed it W.G.Blackie and Co. This lead to the retirement of John Blackie Senior in 1860, and his two other sons, Walter and Robert become partners with John Blackie Junior. Each of the brothers brought into this partnership their own ideas and interests, Walter with his scholarly background, knowledge, languages and printing techniques, and Robert, with his interest in the arts, (he studied under Ingres in Paris) and book illustration.
At the same time John Blackie Senior had innovative ideas, he opened new agencies, looked to new printing techniques, issued new books, and emphasised new quality of production. Most significant of these innovations was the reorientation of 1874-1900.

In this period, John Junior and John Senior both died, leaving Robert and Walter to be sole partners. As of 1870, elementary education was now compulsory and there was a new need for schoolbooks, and Blackie and Sons became particularly interested in this area of the market. Blackie’s also produced University level books and produced reward books for educational prizes.
It is at this time that the bindings of books became increasingly important and Blackie’s introduced the corporate identity of the Talwin Morris style that is epitomised in the series that Blackies produces, such as the Red Letter Library.

Talwin Morris

Thanks  to  Talwin Morris Book Design  By Louise Fletcher

http://www.talwinmorris.co.uk/